Jessica Barden is an English actress. She rose to stardom for her role as Alyssa in the Channel 4 comedy-drama series The End of the F***ing World (2017–2019). She was seen in the films Hanna (2011), The Lobster (2015), The New Romantic (2018) and Pink Skies Ahead (2020).
Theresa Barden was born on July 21, 1992, in Northallerton, North Yorkshire. At the age of three, she moved with her family to Wetherby, West Yorkshire. She went to Wetherby High School. Jessica Barden Wiki, Bio, Husband, Height, Weight, Measurements, Facts.
Jessica Barden Husband
Who is the husband of Jessica Barden? On 19 October 2021, Barden announced that she had given birth to her first child, later revealing on Instagram that it was a girl.
Her husband and the father of her child is filmmaker Max Winkler. She is a convert to Judaism and resides in Los Angeles.
Jessica Barden Height, Weight & Measurements
How tall is Jessica Barden? She definitely has a pretty face and a magnetic personality which has cast spells over her viewers over the years. She is 5 ft 6½ in or 169 cm tall and her body weighs around 52 kg or 114.5 lbs. She has dark brown hair and eyes color. Additionally, her body build type is slim and her body measurements are 34-24-33 inches.
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Jessica Barden Wiki, Bio
| Jessica Barden | Wiki/Bio |
|---|---|
| Real Name | Jessica Barden |
| Nick Name | Jessica |
| Age | 29-years old |
| Net Worth | $5 million |
| Birthday | July 21, 1992 |
| Profession | Actress |
| Birthplace | England |
| Zodiac Sign | Cancer |
| Ethnicity | Mixed |
| Nationality | American |
| Sexuality | Straight |
| Religion | Christianity |
| Height (approx.) | In Feet Inches: 5′ 6″ In Meters: 1.67 m In Centimetres: 167 cm |
| Weight (approx.) | In Kilograms- 52 kg In Pounds- 114 lbs |
| Body Measurements | approx. 34-24-33 inches |
| Bra Cup Size | 34 C |
| Shoe Size | 5.5 (US) |
| Eye Color | Dark Brown |
| Hair color | Blonde |
| Boyfriend Name | Single |
| Husband Name | Married |
| Mother Name | Not Known |
| Father Name | Not Known |
| Children? | Yes |
| Educational Qualifications | Graduate |
| Social Media Profiles | Active |
Jessica Barden In Netflix’s ‘Pieces of Her’
“Pieces of Her,” premiering Friday on Netflix and based on the 2018 Karin Slaughter novel of the same name, is a tidy and effective thriller without much to say about the state of anything at all.
The ratio of violence to running time is low, which is welcome, and there is barely any sex, which is reasonable enough for a story whose characters are more worried about being killed than hooking up and whose most important relationship is that of mother and daughter. And that too is a kind of relief.
The series, developed by Charlotte Stoudt (“Homeland”) and directed in its entirety by Minkie Spiro (“The Plot Against America”), keeps you moving along, even when you have to work a little to make sense of it — or when, seemingly about to end, it reveals a new set of twists and turns, like a line at Disneyland, and sets you thinking about problems of pacing in the eight-hour narrative universe.
Toni Collette plays Laura, a speech therapist in the sleepy, sandy community of Belle Isle, Ga.; Bella Heathcote is her daughter Andy, who came down from New York when Laura was undergoing cancer treatment and has stuck around, working nights as a police dispatcher and living in Laura’s back house, where, she texts a friend, she can “fail rent free.” (She’s an artist who has reduced herself to doodling.)
As exposition will make clear as they sit in a diner on Andy’s 30th birthday, Laura is concerned that Andy is not concerned enough about Andy and too concerned about Laura, and Andy is concerned that Laura is too concerned with Andy not being concerned enough about Andy and too concerned about Andy being concerned about Laura.
(That is, they love each other and push each other away.) This dynamic will not substantially change as life turns from quiet to crazy. Suddenly — if you like your shocks delivered fresh, I suggest you skip ahead to the next paragraph — there is a shooting, and in the ensuing chaos, in order to protect her daughter (who, wearing her uniform, becomes a target), Laura turns for a moment into Carrie Mathison, or Mrs. Peel, or any super-spy or special forces agent whose name you would like to write in.
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