Gil Birmingham is an American actor known for his role as Tribal Chairman Thomas Rainwater in the Paramount Network’s television series Yellowstone. He has also appeared in the films Cowboys & Aliens (2011), The Lone Ranger (2013), and Suicide Squad (2016). Birmingham was born in Winfield, Kansas, the son of Linda (née Wright) and James Birmingham. He has three sisters.
He attended the American Academy of Dramatic Arts in Pasadena, California. Birmingham made his screen debut in a minor role in the 1998 film A Night at the Roxbury. He later had recurring roles on the television series Roswell and Walker, Texas Ranger.
He is also recognized for his roles as Billy Black in the The Twilight Saga film series, as well as recurring television parts as George Hunter on Banshee and Virgil White on Unbreakable Kimmy Schmidt. He was born on born July 13, 1953 in San Antonio, Texas, U.S.. He is 68 years old, as of 2022. Gil Birmingham Wiki, Bio, Wife, Height, Weight, Pieces of Her.
Gil Birmingham Height & Weight
How tall is Gil Birmingham? He is a handsome guy who is 5 feet 11 inches tall and his body weighs around 65 kg. He has light brown hair and eyes color. He has an average body build with 38-29-36 inches of body measurement. His heart-warming smile, his entire demeanor, and his gradual escalating popularity in the industry make him the perfect catch.
Gil Birmingham Wife
Gil Birmingham is a married man. Moreover, his wife name is not known. His previous dating history is not known in public domain.
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Gil Birmingham In Netflix’s ‘Pieces of Her’
“Pieces of Her,” premiering Friday on Netflix and based on the 2018 Karin Slaughter novel of the same name, is a tidy and effective thriller without much to say about the state of anything at all.
The ratio of violence to running time is low, which is welcome, and there is barely any sex, which is reasonable enough for a story whose characters are more worried about being killed than hooking up and whose most important relationship is that of mother and daughter. And that too is a kind of relief.
The series, developed by Charlotte Stoudt (“Homeland”) and directed in its entirety by Minkie Spiro (“The Plot Against America”), keeps you moving along, even when you have to work a little to make sense of it — or when, seemingly about to end, it reveals a new set of twists and turns, like a line at Disneyland, and sets you thinking about problems of pacing in the eight-hour narrative universe.
This is a story whose characters will lie about who they are, what they know and what they are put to — Andy is the only one who doesn’t, apart from a false name on a hotel register, and that’s only because she doesn’t know anything — and given that its method is to pile revelation upon everything-changing revelation, there is hardly anything to be said about what happens that isn’t either a spoiler or a red herring that temporarily seems like one.
I won’t go into much detail about the nuts and bolts of the story, except to say that it involves a lot of familiar elements — corporate malfeasance, a political candidate, a powerful family, a suitcase full of money, fake drivers licenses, assorted hired thugs and, in flashbacks, of which there are many, a collection of full-service leftist radicals I associate more with the late 1960s and ’70s than the ’80s.
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