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Who Is The Wife Of David Wenham, Kate Agnew?

David Wenham is a well known Australian actor who has appeared in film, television and theatre. He is known in Hollywood for his roles as Faramir in The Lord of the Rings film trilogy, Friar Carl in Van Helsing, Dilios in 300 and its sequel 300: Rise of an Empire, Al Parker in Top of the Lake, and Lieutenant John Scarfield in Pirates of the Caribbean: Dead Men Tell No Tales. He is well-known in his native Australia for his part as Diver Dan in SeaChange. Who Is The Wife Of David Wenham, Kate Agnew?

David Wenham Wife, Kate Agnew

Wenham has two daughters with his longtime partner, Kate Agnew.

He read a poem by Rupert McCall at the memorial service for Steve Irwin. The poem was entitled “The Crocodiles are Crying”.

Wenham is a Sydney Swans supporter.

Kate Agnew Age

How old is Kate Agnew? Her exact date of birth is not known. She is in her 50s. She holds American nationality and belongs to mixed ethnicity.

Kate Agnew Height & Weight

How tall is Kate Agnew? She is 5 ft 6½ in or 169 cm tall and her body weighs around 52 kg or 114.5 lbs. She has dark brown hair and eyes color. Additionally, her body build type is slim and her body measurements are 34-24-33 inches.

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David Wenham In Netflix’s ‘Pieces of Her’

“Pieces of Her,” premiering Friday on Netflix and based on the 2018 Karin Slaughter novel of the same name, is a tidy and effective thriller without much to say about the state of anything at all.

The ratio of violence to running time is low, which is welcome, and there is barely any sex, which is reasonable enough for a story whose characters are more worried about being killed than hooking up and whose most important relationship is that of mother and daughter. And that too is a kind of relief.

The series, developed by Charlotte Stoudt (“Homeland”) and directed in its entirety by Minkie Spiro (“The Plot Against America”), keeps you moving along, even when you have to work a little to make sense of it — or when, seemingly about to end, it reveals a new set of twists and turns, like a line at Disneyland, and sets you thinking about problems of pacing in the eight-hour narrative universe.

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